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FIN REVIEW: Dark, difficult Dead Women Walking a dramatic, uneven showcase

This deeply human portrayal of a group of women on death row facing the last moments of their lives is a true actress showcase, but it doesn’t all add up. The series of vignettes are all engaging and interesting in unique ways, but some crackle on screen more than others. Hagar Ben-Asher has constructed an…
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REVIEW: Fruit Machine searing portrayal of military LGBTQ discrimination

A harsh look at the federal military system in Canada and the gay purge that began in the 1940s outlines The Fruit Machine. The film has come out following a June 2018 ruling that reconciliation and remembrance measures will take place following the decades-long discrimination, investigations and firings of suspected LGBTQ+ military members. A number…
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FIN REVIEW: Von Trier’s House a maniacal masterpiece of cinematic architecture

Anyone familiar with the incessant provocation director Lars Von Trier propagates will immediately recognize this film as a fictional, but thematically autobiographical, work. This film, about a serial killer in the 1970’s, and the sensibilities and cultural values that inform his violent urges, is a big, instigating middle finger to Von Trier’s critics. It’s at…
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FIN REVIEW: What They Had an emotional journey depicting dementia

One of the year’s best films comes in the form of a family drama about dementia, family dysfunction, and the need to know when it’s time for a change. When Bridget returns home during a family emergency, she discovers her mother’s dementia has crept further forward than she realized. Pushed by her bully brother Nick,…
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FIN REVIEW: Keira Knightley is career-best in Colette

Previously reviewed for FIN. Opens wide Friday, Oct. 12. Keira Knightley has a knack for making period dramas endlessly compelling, and with Colette, she does it again. The film about a critic and newsman and his wife, and the difficulties that arise when she begins ghost-writing for him, Knightley practically jumps off the screen as…
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FIN REVIEW: Last Divide the best of the 902 slate

During a conversation with another reviewer and a spectator yesterday, we discussed quality of work versus budget. I, for one, look past the issues created from a small cashflow for a film and delve deeper. Performances, atmosphere, and the lofty ambitions of those in front of, and behind the screen, are integral to a small…
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FIN REVIEW: Just Be Gemma shows human side of transitioning

This documentary, from director/writer/producer Peter Walsh, follows Gemma Hickey’s journey as they transition into a proud trans person. It’s an emotional rollercoaster and Hickey doesn’t hold back in being authentic about their struggles and difficulties with the changes. As we see Hickey coming out and dealing with family, taking testosterone, overcoming relationship issues and becoming…
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FIN REVIEW: Assassination Nation a sadistic excuse for entertainment

This is supposed to be a film — trigger warning included — about sexism, feminism, the dangers of social media and mob mentality. But instead of being a social commentary, it’s a self-indulgent mess with no conscience whatsoever. Director-writer Sam Levinson, son of the famous director Barry and director of 2011 film Another Happy Day,…
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FIN REVIEW: Creepy Crawling delivers on its spine-tingling title promise

This hide-and-seek thriller is a twisted little indie film, and I’m so proud knowing it was a local crew and cast involved. Part of FIN’s Cinema 902 program, Creepy Crawling is about a teenager — friendless and aimless — who moves with his father and has trouble fitting in at his new school. After being…
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FIN REVIEW: Aliens With Knives a mixed bag satire

This biting satire offers a unique look on the alien invaders genre, it’s a bit too silly at times. A woman bearing a child and her husband stay at a remote cabin while she deals with the tumultuous pregnancy, but they soon realize they are not alone. Aliens With Knives is sporadically hilarious, and skewers…