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VOD REVIEW: Strongly-acted Black Conflux falls apart in third act

The aesthetics and mechanics of Black Conflux converge for a splendidly-made, interesting picture. And yet, something feels missing here. It’s a great concept, and a skillful Canadian film, but it just doesn’t have the electricity to cross the finishing line. It follows the separate lives of a young girl and a troubled, mentally ill man…
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THEATRICAL REVIEW: Vacation Friends a sleazy exercise in raunchy comedy

It’s an unfortunate side effect of filmmaking that when you have proven, red-hot talents in your film, you take for granted they can carry it. John Cena has seen immense success with Blockers and The Suicide Squad, while Lil Rel Howery has stolen scenes in everything from Get Out to Free Guy. But the two…
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THEATRICAL REVIEW: Candyman remake a terrifying modernized folktale

The original 1992 Candyman is my favourite horror film of all time, no question. Tony Todd’s bee-covered visage still haunts me to this day, and the storytelling prowess and horrific tales passed down in the original were even scarier than the character actor’s nightmarish villain. So it was with apprehension that I went into a…
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VOD REVIEW: Megan Fox thriller Till Death a blunt, menacing thriller

This intense, brutal vehicle for star Megan Fox is both terrible and great at the exact same time. It’s full of silly, quippy one-liners and entirely ridiculous plotlines, and yet it’s endlessly watchable the whole way through. Emma is trapped in a loveless marriage to a high-powered lawyer, and she feels as if she’ll never…
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VOD REVIEW: Billie Piper’s Rare Beasts a schlocky, shocking backfire

There’s an incredible film hidden in the depths of Billie Piper’s directorial debut, but one would have to dig through the messier narrative bits here to find it. Dubbed an “anti rom-com”, the main difficulty I have with Rare Beasts is that its characters are so incredibly vile that I have trouble rooting for a…
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VOD REVIEW: Blomkamp’s return to features is a horror dud

For a long time, Neil Blomkamp has been an enigmatic, interesting genre filmmaker. The sci-fi auteur has mostly been vacant from screens – and not done a feature film – since 2015, and I’ve sorely missed him in that time. But I would have waited another six years for the Oscar nominee’s return to directing…
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THEATRICAL REVIEW: The Protege a bloody action tilt with a messy tone

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BLURAY REVIEW: Midnight Diner spotlights eclectic guests with admiration

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BLURAY REVIEW: Adorable, affecting Little Q a dramatic triumph

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VOD REVIEW: Complex Materna a good film that does too much
