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FIN REVIEW: The Guilty a pulse-pounding foreign gem

The Guilty is a suspense thriller that doesn’t let go and won’t slow down. The Danish film chronicles one work night for a call operator on suspension from field duty due to a work-related transgression. Asger Holm is a dryly funny, sarcastic, disinterested dispatcher who cares little about his temporary job or the people calling…
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FIN REVIEW: Incredible Violence an iconic debut from Condon

G. Patrick Condon’s debut feature may just be the most meta, ironic and interesting film I’ve seen in the fest so far. It delves deep into the mind of Condon — who plays himself as a director who blew all the money to finance his movie — and now has to find a way to…
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FIN REVIEW: Love, Scott a testament to subject’s strength during recovery

Scott Jones’ story is both horrifying and triumphant. It’s the kind of tale you cringe at hearing, but Jones’ tenacity in the face of everything he’s struggled with has made for an inspiring documentary work. The trust Jones is able to give real-life friend Laura Marie Wayne, who documents things start to finish, allows for…
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FIN REVIEW: Girls of Meru a poignant, difficult documentary

Andrea Dorfman’s film about the quest for children’s rights and changes to sexual violence investigations in Meru, Africa is a difficult watch, but worth the investment. Dorfman spent five years following the struggle of children, families and advocates for them in an area where money talks and law is wild. With a police force that…
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FIN REVIEW: Wild Pear Tree overlong, still astounding

The Wild Pear Tree is a meditation on familial bonds, the power of writing as an art form, and the fruitless wandering of confused, bewildered youth. Cannes darling Nuri Bilge Ceylan returns with this sprawling, magnificent work, This film is, at times, both mesmerizing and frustrating. It has been chosen as Turkey’s official submission for…
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FIN REVIEW: Dogman a triumphant, provocative tale propelled by lead performance

This gritty, disquieting tale of a meek dog groomer willing to do anything for a better life is the best film of the festival so far. The Cannes Film Festival Palme d’Or nominee is bursting with a mix of life and weary desperation in every frame, and is a steady vehicle for lead Marcello Fonte.…
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FIN REVIEW: Song and the Sorrow a tribute to troubled father’s legacy

This beautiful portrait of a lauded songwriter and his personal struggles is portrayed in a magnificent, touching manner through his daughter’s quest for understanding. Gene MacLellan was an international gem, and his songs Snowbird and Put Your Hand In My Hand propelled him into a successful music career. But this National Film Board documentary shows…
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FIN REVIEW: Sisters Brothers a Hollywood showcase with indie flair

With an A-list cast, an impeccable, well-wrought screenplay and some of the year’s best marketing, you’d think The Sisters Brothers would be A-Rate Hollywood fare. And yet, the sensibilities of French director Jacques Audiard, who makes his first big English debut here, are not lost in the fray. This comedy-western has all the flash and…
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FIN REVIEW: Becoming Astrid a formidable tale of Pippi Longstocking creator

Titular character Astrid became the eventual creator of beloved children’s novel Pippi Longstocking, but how she got there is far from cheery. This Swedish-made film about the author’s formative years is a bleak take on the expectations of women, pitfalls of a deeply religious society, and the young girl who refused to conform. It follows…
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FIN REVIEW: Bel Canto a moving portrait of hostages and their captors

This film about hostages, their captors and the humanity they come to share is one of the most powerful films to come about this year. Adapted from a popular novel by Ann Patchett, this film brings depth and character development to a topic that could have easily became overdramatic. Roxanne Coss (Julianne Moore) is playing…