To say Ferrari wasn’t what I expected would be a massive understatement — But it turned out to be exactly what I needed.

More a rich character drama about selfish people than a sportscar showcase, director Michael Mann deftly underscores the beautiful racing sequences by giving credence to the motivations of its well-drawn — of sometimes unpleasant — characters.

The film takes place over a short period of fame car-maker Enzo Ferrari, just years after the tragic death of his son Dino with wife Laura. The two quietly grieve the loss while Enzo strays further and further from his marriage.

He’s in love with Lina, who he has a 12-year-old son with, but he keeps them hidden from Laura, fearing her wrath. Losing her only child and the support of her husband at the same time leaves her manic.

It is 1957, and Ferrari must win the Mille Miglia to keep his company from bankruptcy. As he pushes for greatness, he also pushes his employees and family to the brink.

Adam Driver is magnificent as the cold, calculated Ferrari. He’s a man who shows no emotion and puts business before everything. Shaleine Woodley gives a unique turn as his mistress, even if it’s the weakest performance in a great ensemble.

Penelope Cruz is a revelation as Laura, and she is going unnoticed and under-appreciated this awards season, which is a travesty. With Gabriel Leone and Patrick Dempsey also putting in engaging turns, this is a cast to get engrossed with.

Director Michael Mann stays on-track and speeds through the finish line with a movie that packs an emotional punch. It’s the best year of the movie no one is talking about.

4/5 Stars